It’s time for another WILR (What I Learned Reading) post.
For the past couple of weeks, I’ve been trying to write my current book.
Okay, it’s actually a rewrite, but the original book was such a mess, this is almost like writing it from scratch. Again.
But, for the past couple of weeks, I’ve felt like I was spinning my wheels. I knew I was light years better at plotting & characters, but something still wasn’t clicking.
I was afraid (understatement) that the middle of this book would stall, like so many others had. My gut feeling said I wasn’t really ready to overhaul this book.
And then I heard from Lynn Johnston. I’ve bought (and really liked) her past courses. What works for her will usually work for me, too.
Lynn’s new course is about writing with a W plot.
I hesitated. Did I really need yet another course, book — or even another article — about plotting?
Maybe my current ennui — my “gut feeling” — was actually nerves. Plain ol’ cold feet.
But what if it wasn’t? (I spent a lot of time talking to myself about Lynn’s course. It wasn’t just the $27, but the time it would take to watch her videos and then use her worksheets. As Mur Lafferty has reminded me, I should be writing.)
Then, I decided to go for it. I bought Lynn’s course.
Best. Decision. Ever. (Okay, more likely “best decision this month,” but — a year from now — I might decide it’s a “best ever,” after all.)
In Lynn’s first video, I saw my problem. It was kind of massive, and would have sabotaged this book. Again. * facepalm *
Seriously, I can make anything complex. And then I analyze all the little complexities, and fine-tune them so each is a work of art… and totally miss the Big Picture.
Yes, the current book had a fine, workable plot, but the initial trigger — the event that was about to change everything in my heroine’s life — it wasn’t powerful enough. Not even close.
It didn’t have enough momentum to carry the story to its conclusion.
Oh, I had all the scenes figured out. My heroine (and her romantic interest) had plenty of things to do. Things that could be complete scenes. Things with some opposition, to give the plot a little energy. (Emphasis on “little,” now that I reflect on this.)
It just wasn’t a compelling story.
Lynn’s explanation of the W plot showed me exactly where the weakest link was.
(She also showed me that most people — including me — don’t get how the W plot actually works. And how great it is for novellas and short stories, as well as full-length books.)
Wow. Through Lynn’s eyes, I saw the W plot in an entirely different light. A useful one. An important one.
Before I went to bed last night, I’d brainstormed a full, handwritten page of story notes for this rewrite. Mostly, they’re backstory, but they also super-charge the current plot.
This morning, I wrote another full page of notes. Those notes are about the Big Bad and his minions (yes, it’s that kind of story) plus his strengths as well as his Achilles heel.
Next, I reworked the opening scene of my book, plus some key points in the climax. Now, both are far more compelling.
So, I’m writing again and feel really good about this book.
Yes, I still need to finish watching Lynn’s videos, but even this tweak has added tremendous power to this story.
What I learned is: Sometimes, I need to step back and get out of my own way. I need to take a look at the Big Picture, and simplify the plotting process. (I’m sure that applies to other areas of my writing, as well.)
Thanks to Lynn’s course, my story premise is more powerful and I’m not looking for excuses to avoid writing.
In fact, I’ve written this post, stream-of-consciousness. This course has helped me so much, I wanted you to know about it, right away. (Pardon any typos. I rushed through this.)
Mostly, I hope this conveys the importance of Lynn’s The W-Plot, if — like me — you tend to make things more complicated than they need to be.
And now, I’ll go back to my book. And feel good about it.
Illustration courtesy of GraphicStock.com