Fiction Plots: Rough Start Romances (review)

In real life, many people want to meet someone… and it’s love at first sight. Everything is perfect, and continues so, through courtship, engagement, and marriage. And, we want to live happily ever after.

Many of us grew up believing that most romances followed that exact path. And, when ours didn’t… we turned to romance novels.

cinderella glass slipper and coachThey affirm that, somehow, we too will find our “other half,” or our “split apart” person, or Prince Charming.

Or, in a not-quite-perfect relationship, romance stories help us reconnect with what charmed us when we first fell in love with the partner we’ve chosen.

And then there’s reality’s darker side. 40 to 50 percent of all American marriages end in divorce. The statistics are similar in the EU and in the UK.

Tip: If you want a long-lasting marriage, Chile may be a good destination; their divorce rate is around 3%. (The trade-off…? Chile seems to rank 47th out of 69 countries, in terms of quality of life. However, I’m not convinced that’s a reliable stat.)

So, in most of the world, romance stories, novellas, and novels have a steady, eager audience. (No matter what genre you write in, a romantic story arc can increase your book’s popularity.)

But… a story that’s just “meet > love at first sight > courtship > marriage > happily ever after” would fill about 1,000 words (or less) before it was a snooze.

One huge trick to writing successful romances is getting the story right. From the outset, readers need to feel fairly certain that everything will lead to “happily ever after” (aka, HEA) or at least “happily for now” (HFN).

They just don’t want to get there too quickly. They want to savor the delicious tension of a growing, intense romance.

And, they want a story that’s believable. If they can’t imagine themselves as half of the romantic couple… well, it’s just more of the disappointment — feeling “left out” — that they’re coping with, in real life.

Mind maps can work

You can take your hero & heroine, and mind map every possible way things can go wrong, and then go right for the HEA (or HFN).

That could be a complex mind map. Possibly the size of an entire wall, to accommodate all the lines & arrows.

And, even then, you might get lost in the details. (I know that I would. I’ve tried this and got overwhelmed in minutes.)

What most romance writers want is a good, simple plan or template they can use, over & over again. Change the hero, change the heroine, change the setting (and perhaps the time period), and follow the formula.

Result…? A story that’s fun to write, and happy readers who’ll buy every story you write. And they’ll recommend your books to their friends.

The good news is: someone has put together a series of formulas for you.

Rough Start Romance (a report)

Generally, I rave about Britt Malka’s reports for writers. She has a knack for reverse engineering stories and plot elements that work.

Britt sent me this report as a review copy. If she hadn’t, I would have bought it. It’s that good.

In Britt’s “Rough Start Romance” report, she delivers one of her best romance analyses so far.

heart of heartsIt’s 26 pages and I think it’s close to essential reading if you’re struggling with a romance plot, or romantic elements in your suspense, cozy mystery, or other genre fiction.

She’s combed through book reviews, reader forums, and blurbs of successful romances, and she’s broken them down into readers’ likes and hates.

And then, she grouped them logically into possible story arcs. Even better, this report is loaded with details, pros and cons, and suggested ways to avoid disastrous plot elements.

For example, Britt opens by analyzing the differences between a one-sided interest and a “hate at first meet” romance.

And then, she breaks them down into how to write each kind, with lots of options. (Like: should your hero be the one who’s interested, but your heroine isn’t, or vice versa? Which is more appealing to most readers, and what are the challenges for writers?)

For one-sided interest stories, she explains a variety of ways to develop the romance, whether you’re writing sizzling and sexy stories, or light romantic comedies.

For “hate at first meet” romances, Britt has figured out several ways that premise can works well. She also explains the deal-breakers… the things that will ruin that kind of story, and result in toxic reviews.

And, throughout this report, Britt includes story ideas, side-character suggestions, body language and speech mannerisms to give your story more depth (and credibility), and a lot more.

My advice: If you want to make romance writing easier, get this report

This report isn’t inexpensive. But, in my opinion, it’s a must-own for any writer who’s struggling to create credible romance plots.

It’s especially useful for new romance authors, who hit writer’s block somewhere around the first third of the book. (Not that I speak from experience, mind you. Ahem.)

Her tips also work for “short reads” stories, as well as epic-length novels.

“Rough Start Romance” clearly explains how to keep your readers engaged (no pun intended) from the first page to the last, with no major stumbles — but lots of juicy, what-will-happen-next tension — from meet to marriage.

Here’s where to find* Rough Start Romance: http://malka.biz/rough-start-romance/

*In the interest of writing unbiased reviews, I don’t use affiliate links for reports and products like this. So, I don’t earn a cent if you buy this report. My review is written from the heart (no pun intended), and I truly believe this is one of Britt’s best reports, so far.

Nonfiction Book Series – Britt’s Ideas

I bought Britt Malka’s “Divide and Conquer” report out of curiosity. I’ve been writing nonfiction — mostly for traditional publishers — since the 1980s. I still write a lot of nonfiction, especially shorter books that I publish myself.

Britt Malka - Divide and ConquerSo, in Britt’s report, I didn’t expect to learn much. Not much that’s new to me, anyway.

Her report was a surprise. (That’s an understatement.) It’s not the same old “how to get 5 articles/books/videos out of one idea.” Far from it.

My experience

I spent about an hour going through this report. Using Britt’s suggestions, I produced a list of 28 short, nonfiction books (in one sub-niche) that I can write with little or no research.

Many of them can be written in a single day. The others will take me three days at the very most.

Since Britt’s report is $9, the 28 book ideas works out to about thirty* cents per idea. Even better, these are GOOD book ideas… not just “sure, why not?” ideas. I won’t be writing fluff, and I won’t be repeating myself.

Readers will like these books.

My first book from Britt’s report

This past week, I wrote one in two half-days. (I worked on other projects for half of each day, and then dictated — to Dragon Naturally Speaking — for a couple of hours.)

I edited that book the next day, and created its cover. (I continued working on my other projects, as well.)

On the third day, after one final pass, I published the book. With no marketing — not even mentioning the book on social media — copies were already selling.

I won’t claim that starting with an Amazon rank of #150,000 is great, but this is a niche where I’m competing with TV stars who write their own books.

So, I was pretty happy with that rank on the first day.

Today (four days later), my book is on page one at Amazon Kindle, for its top keyword phrase. And, my book outranks the current best-sellers of two TV stars in that same niche.

I’m pleased. And, I’ll write another book from my new list, later this week.

Yes, I recommend Britt’s report.

Once again, I’m impressed by how well Britt writes reports to spark fresh book ideas and insights.

This report can pay for itself (in book profits) in less than a week… maybe much less. (In my case, it’s already a winner.)

After that, I’m confident these books will continue selling for years.

But here’s my usual advice: This only way this report is worth buying is if you actually write more books. (And, if you’re already writing and this would be a distraction, skip it… for now. Don’t get sidetracked. Finish your current books!)

Britt offers solid, evergreen book ideas. They’re different. If you’re like me, you’ll see fresh topics many authors will never think of.

When I checked my sub-niche, only three (of the 28 ideas) had any competition at all.

And, checking the competition, I thought of four more book ideas for that audience.

If you’re writing nonfiction (or have ever thought about it), you probably need this report. Here’s the link (not an affiliate link): Britt Malka’s E-Book Series Ideas (aka “Divide and Conquer”)

scripty-divider

*When I first rushed through this article, I said three cents. That was, obviously, a typo. It should have said thirty (30) cents. Either way, this report still delivers remarkable value.

Story Grid: Review

Moving ahead with David Lee Martin’s brilliant “… Self-Publishing Trenches” advice, I’m ready to take another look at fiction archetypes & tropes.

If I’m going to follow David’s advice to the letter, I need to understand exactly what readers expect in my sub-genre.

The Story Grid, by CoyneThis wasn’t on David’s list of recommended reading, but — last night — I skimmed “The Story Grid” by Shawn Coyne. (Don’t even THINK about buying it in Kindle… this is a massive book you’ll need to read in print.)

While this book seems more geared to screenplays and literary fiction, I’m gleaning enough oh-my-goodness insights (for genre fiction) that it was well worth reading… and the fairly high price tag.

(Authors, if your public library has a copy, get it. Now.)

This huge book includes a lot of tropes you won’t find at TVTropes.org... and some of them are kind of important. (See http://www.storygrid.com/genres-have-conventions-and-obligatory-scenes/ for the tip of the iceberg, and a good preview of the book.)

But… that said, this IS a textbook. The writing style is good, but the information he’s throwing at you, in almost every sentence…? Kind of overwhelming.

So, I can’t recommend this book to new writers. (However, if you’ve written at least five works of fiction, I think it’s a worthwhile — and perhaps essential — read.)

Geeky writers — those of us who print out everything useful we find online, and highlight it — will love this book.

Authors with several books in print, but ho-hum sales or reviews, should probably read this. I promise, you’re likely to find at least one “ah-HA!” moment in The Story Grid.

Everyone else may use it for a doorstop, and wish they hadn’t spent the money.

I’m glad I bought it. It’s definitely helping me understand a second level of plotting that I didn’t really get.

If your fiction has been lacking something, but you’re not sure what, take a look at The Story Grid.

Here are the links: Amazon.comAmazon.co.uk